With this crisis comes a new sense and experience of the real: the revelation that the really real is what Cézanne called "vibrating sensations." They are paradoxically real — always in motion, they are never securely given. This is all the more true because these sensations exist relative to one another. Cézanne himself did not realize that there was a method to the "madness" of their vibration, although he suspected there was one. He analyzed his sensations in search of it, but he never found it, perhaps because he became more interested in the strange perceptual fact that it was only through their relationship to one another that they became "substantial." Whenever he searched for the One True Sensation, he found himself absorbed — and sometimes lost — in the labyrinthine relations of the matrix of sensations.
מהמאמר של דולנד קאספיט על המטריקס של התחושות .

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